Working out how it gets made, and what it costs.
Development
A plan that holds from prep to delivery.
Methodology
Practical, built, CG or ML. Planned before the money is spent.
Concept and previz
Script to visuals before the shoot.
Understand the complexity.Create the flow.
Entropy is a young creative house built by seasoned professionals. This is a group that has spent 25+ years creating, supervising, producing, developing and finishing work at every scale, and has now come together to build something smaller and closer to the creatives.
Every part of our company is designed to ensure direct access and greater collaboration between filmmakers and visual artists. A shared approach to the creative process, with the choices made determining how the technology is integrated to serve the storytelling.
That is how we work. Fewer layers to navigate. More of us on your production.
Feedback often travels through several layers before it reaches the artist. We wanted to create a more direct way of working. Here, the supervisor and artists stay close to you and the process, with editorial involved from day one so you can see the work evolving all the way to final delivery.
You get the artist, not the runaround.
A show or a sequence. We understand it, solve it and build the team that executes it.
We think about a show the way a production does, not the way a vendor does. That means the plan, the money and the method get worked out together at the start. What gets built, what gets shot, what gets finished later and by what method, all of it costs less to settle in prep than to discover in post.
So we start at the script, stay through the shoot and carry the same plan into delivery. When something changes on the floor, and it will, the plan changes with it, not after it.
The earlier we're in, the less it costs.
Working out how it gets made, and what it costs.
A plan that holds from prep to delivery.
Practical, built, CG or ML. Planned before the money is spent.
Script to visuals before the shoot.
The decisions are being made on the floor.
The experience to make the call, and to make it fast.
Everything captured, temps cut in real time.
Budget, schedule, tracking. Honest numbers from bid to final.
When the shoot wraps, our work continues.
Faces, doubles, crowds, animals. CG driven, ML rendered, finished invisibly.
Environments, explosion sims, cleanup. The last hand on every frame.
Cuts tracked, turnovers managed, one show handed over.
Solve the pipeline, not the shot. Machine learning enters where it serves the storytelling, tested early and throughout, under the same supervision as every other department.
Our commitment is ethical and transparent deployment. That means licensed, production-safe models, generative use set with you per shot and per budget, and any training on your material done with permission, scoped to your show, never reused.
There is always a kill switch.
Any shot can finish traditionally at any point in the process.Nothing in your film is a black box you cannot open.
Storyboards, references, mood, scene temperature and tempo. The same conversation you would have with any department head.
Realtime, previz, capture, CG, generative. We pick per shot, not per company pipeline, and we tell you which we picked.
Fast, finished, and controllable at every pass. Speed that shows up as more iterations for you, not fewer.
Delivered with our design and innovation partner, Nanovisuals.
The crew is already built
Our core team is supported by 220 artists and supervisors we have worked with for years, across seven locations. That means we scale to what your film needs instead of asking your film to wait while we hire.
Partner · Technology · Finance
Los Angeles
Learn more →Partner · VFX Supervisor
Montreal
Learn more →
Director of Production
Pune, India
Learn more →Executive Producer
Montreal
Learn more →VFX Producer
Montreal
Learn more →Los Angeles, London, New York, Toronto, Montreal, and Pune. Providing the same access and identical process across all locations - same supervisors, same reviews, unified pipeline, so the work does not change when the location does.
With a global team, we can offer productions competitive incentives based on their location requirements.
Tell us where the spend has to land.
More than 600 shots across six projects in the past eight months. We used those shows to understand where the industry breaks, to build our process from the ground up, and to find the creatives best suited to the way content gets made today and tomorrow.
Now we are ready to share what we have built with you.